& I can spend a few minutes.


My name is Gregg,
& this is my blog.
I have a real passion for art,
and I do a little bit of everything. Though despite such love for all arts, film is my true passion. In the words of Ingmar Bergman, "...film is my mistress."


(Source: gonzo-lives)

unpopularculture:

Close-up (Abbas Kiarostami, 1990)

bastardkeaton:

Soldier photographed in amazing Kodachrome, 1950s

bastardkeaton:

Soldier photographed in amazing Kodachrome, 1950s

veronikazakonjsek:

A nos amours (1983) by Maurice Pialat.

veronikazakonjsek:

A nos amours (1983) by Maurice Pialat.

roentgens:

The Color of Pomegranates dir. Sergei Parajanov (1968)

roentgens:

The Color of Pomegranates dir. Sergei Parajanov (1968)


“You never know how the audience will react. But at a certain point, you have to dive in; you need to believe in the ability of your imagination to allow you to perform your role. It is a fear, which is very, very close to terror and you wonder, ‘What am I doing here?’ Then a few moments later you feel great pleasure and hopefully you are giving happiness and emotion to the audience.”
Denis LavantBorn June 17, 1961

“You never know how the audience will react. But at a certain point, you have to dive in; you need to believe in the ability of your imagination to allow you to perform your role. It is a fear, which is very, very close to terror and you wonder, ‘What am I doing here?’ Then a few moments later you feel great pleasure and hopefully you are giving happiness and emotion to the audience.”

Denis Lavant
Born June 17, 1961

(Source: strangewood)

thenightlymirror:

Syndromes and a Century. Apitchatpong Weerasethakul.

thenightlymirror:

Syndromes and a Century. Apitchatpong Weerasethakul.

(Source: noisywithstars)

playing blue grass music at a sold out show in my backyard with my father.

vladpopovic:

The American (2010) - Anton Corbijn

globeandmale:

Benny’s Video (stills), dir. Michael Haneke, 1992

thenightlymirror:

Jim and Kathy.

thenightlymirror:

Jim and Kathy.

weerasethakul:

The Lovers on the Bridge / Les amants du pont-neuf (Leos Carax, 1991)

It’s a very long movie trailer. It emulates the pace, structure and purpose of movie trailer. It doesn’t have time to build any of the characters because it’s too preoccupied with the action.
interesting.
i suppose I will see what you mean tomorrow afternoon.
when you say it’s a very long movie trailer— is this in refence to the Malick-like imagery? i heard the origins is dragged out far longer then it needs to be.